We’re gonna try something a little different. I’ve been watching a bunch of movies lately, but haven’t found the time to write about them individually. So, instead of giving them the usual treatment, I’m gonna go ahead and shove ‘em all into this one post, lighting round style. The reviews will be much shorter and won’t provide as much plot detail, but will provide the same toothsome repartee, so I’m hoping they work all the same. Who knows, maybe I’ll really like doing it this way. Anyway, bring on the bad fun!
Mother
A Korean film from the same dude responsible for The Host about an eccentric and neurotic mother of a mentally challenged boy who she believes has been framed for murder. A young school girl has been killed and all evidence points toward the kid, so the police pick him up and the case is closed. The mother, however, is adamant about her son’s innocence and sets out to prove it. Hye-ja Kim (as the mother) is really awesome, and aside from being a suspenseful whodunit, it’s also pretty damn funny, which is a difficult combo to pull off. Recommended, but only if you can handle over two hours of sub-titles.
Check out the trailer for Mother!
Posted by Jeff on Sep 19 2010 in Movies
Tags: adultery, After.Life, Andrew Paquin, Anna Paquin, Australian, band, Battlestar Galactica, Beyond the Lighted Stage, blackmail, Canadian, Carla, Christina Ricci, contractor, cult, dead, documentary, eccentric, enlightening, fire, frame, funeral, funny, Global Metal, gore, horror, Hye-ja Kim, innocence, Iron Maiden: Flight 666, kill, Korean, Liam Neeson, Mac, Metal: A Headbanger's Journey, model, money, morician, mortuary, mother, murder, musicianship, naked, Open House, progressive, Raymond, rock n' roll, Rush, Sam Dunn, sex, sicko, stardom, Stephen Moyer, suspense, The Beatles, The Host, The Rolling Stones, The Square, Tricia Helfer, True Blood, vampire
I can’t help but think that had this 2009 Canadian film about a rock n’ roll band of vampires been released at some other time (that time being any time when there wasn’t a Twilight or a Trueblood, etc.), I might have enjoyed it more, but as it is it just feels like another bite (yes, really) at the fang craze, and even its backdrop of a gigging band searching for stardom, its numerous rock star cameos, and small but smart doses of humor, doesn’t help push it past being just another fad. Of course, it doesn’t help that the music in this rock n’ roll spoof is completely lame — that it, yes, sucks. That’s probably what offended me most about Suck, especially given the obvious influences guiding writer/director/star Rob Stefaniuk. I understand that in order to properly spoof the industry, to lay waste to the shticks people will rely on to help make ‘em famous, you have to have a shitty band with a shitty name (in the this case The Winners) because the majority of mainstream bands are truly terrible, but The Winners’ insipid, whiny brand of rock n’ roll just made me angry. I got it, but I didn’t enjoy swallowing it.* Of course, as mentioned earlier, Stefaniuk was obviously guided by some strong influences, and Suck isn’t so much a great movie to watch as it is a great game to play.
We’ve run into a real string of bad movies lately, haven’t we? Not that I thought Parasomnia was going to be any different, and not that you haven’t come to expect bad movie write-ups from me, but when you hoe the low budget road, there’s usually some awesome surprises waiting for you. Besides, this one was written and directed by William Malone, the same dude who did House on Haunted Hill and Feardotcom (yeah, okay, also not great but at least these were legitimate theatrical releases and starred people like Geoffrey Rush, Famke Janssen, and Stephen Dorff), so I suppose one could gleam a glimmer of horror hope from this one. But all hope was quickly dashed and there weren’t any surprises waiting for me. Only a mundane, low budget fantasy lost in a shitty dream world of love, blood, and madness.