Dixie Witch
Let It Roll
Small Stone
This album, Dixie Witch’s fourth, with its gold chrome letters on crushed black leather, is the simplest, most uncomplicated, and appropriately textured statement the band could make concerning their return after a five year absence. As if anticipating the inevitable question, ‘Well, what are you going to do now?’ they’ve just gone and shrugged and said, ‘Let it roll, motherfucker!’ With all due respect to the Small Stone bands who’ve already released albums this year, and many condolences to the ones yet to come, this here is the Olympic pinnacle, and the trio of long-toothed Texan troublemakers have stormed Zeus’ Godly realm and confiscated his throne. Armed with an arsenal of lightning bolts and cloaked in the kind of invincibility you can only get from a mountain high, Trinidad Leal, Curt “CC” Christenson, and new guitarist Josh “JT” Todd Smith now seem to hold dominion over all things ROCK; their Southern stoner sound, once drenched in the earthly confines of mud and fuzz, has found a magical, heavenly edge. It’s still every bit the beast Smoke & Mirrors is, but they’ve elevated the power and melody to rocket-fueled levels (and left out the ballads), making Let It Roll as much a supreme n’ sizzling cock rock record as it is a boogie n’ blues truck stop tango drenched in AC/DC, Lynyrd Skynyrd, ZZ Top, and Alabama Thunderpussy influences. I suppose Let It Roll has the potential to piss off anyone not enamored with a polished production, but if deliciously dirty dynamics and majestic riffs are your bag, you’re in for one hell of a treat.
Listen to “Let It Roll” from Let It Roll!
Posted by Jeff on Aug 22 2011 in Reviews
Tags: AC/DC, Alabama Thunderpussy, arsenal, ballad, black, blues, boogie, chrome, cock rock, crushed, Curt "CC" Christenson, delicious, dirty, Dixie Witch, dynamics, fuzz, gold, heavenly, high, invincibile, Josh "JT" Todd Smith, leather, Let It Roll, letters, lightning bolts, Lynyrd Skynyrd, magical, Majestic, melody, mountain, mud, Olympic, pinnacle, polished, Power, riffs, rock n' roll, rocket fuel, sizzling, Small Stone, Smoke & Mirrors, southern, stoner, supreme, tango, Texas, throne, Trinidad Leal, trio, troublemakers, truck stop, Zeus, ZZ Top
The Might Could
The Might Could
Small Stone
Yes, Alabama Thunderpussy is dead, but you can still find plenty of angry, sauced Southern metal out there. Making the hunt that much easier, though, is former ATP guitarist Erik Larson, who heads a new group of rabble rousing good ol’ boys in The Might Could, proudly shoving the source right in your face like a freshly caught possum. As you’d expect, the majority of The Might Could carries with it the bourbon-fueled, junkyard clamor of chainsaw fights and shotgun blasts, but it also mixes in gracious nods to Skynyrd’s blue sky balladry (“When the Spirits Take Control”) and Pantera’s thug metal riffola (“I Don’t Even Like Pantera Anymore”), blues-infused steel n’ slide (“Let ‘Em Up Easy”), doom-laden mood mending (“The Widower” and “The Fall”), and electric, punk-fried action (“Mad Dog Blues”). A black and green tempest of heavy energy, this Might Could.
Listen to “Mad Dog Blues” from The Might Could!
Posted by Jeff on Jan 16 2011 in Reviews
Tags: action, Alabama Thunderpussy, angry, black, blues, bourbon, chainsaw, doom, electric, energy, Erik Larson, green, heavy, I Don't Even Like Pantera Anymore, junkyard, Let 'Em Up Easy, Lynyrd Skynyrd, Mad Dog Blues, Metal, Pantera, possum, Punk, rabble, riffola, sauced, shotgun, slide, Small Stone, southern, steel, tempest, The Fall, The Might Could, The Widower, When the Spirits Take Control
Red Giant
Dysfunctional Majesty
Small Stone
Red Giant have always been somewhat of an enigma. They disappear for years at a time and just when you think you’ve forgotten all about ‘em, they show up at your door one day, ten stories tall, clutching a sledgehammer in one hand and a cluster of planets in the other hand, a shit-eating grin like a chasm on their face. Then all of a sudden it’s like they never went anywhere at all, and the reason they’ve only put out two albums in the last eleven years (1999′s Ultra-Magnetic Glowing Sound and 2004′s Devil Child Blues) is because they’re thick-chested overlords of the cosmic mean machine with some heavy duty responsibilities, like riding high atop choppers of flame into the heart of interstellar battle, forging lunar wars in the name of universal dominion. Only when they’ve defeated their space foes and captured the black skies above us do they settle down to tell tales of their conquests via macho, bubbling, dope n’ roll songs. Their latest episode, Dysfunctional Majesty, is another batch of bad-ass biker metal blues cut from blood-soaked denim and bathroom walls, which means it sounds like AC/DC, Alabama Thunderpussy, Beggar’s Ball, Dixie Witch, and any one of Wino’s bands all at once, in case you’re having trouble remembering. However, dig the Clutch-like groove on “These Satisfactions are Permanent” and the Sleep-like doom of “Silver Shirley” for some new twists on their gruesome, galactic sound. Hop on board this one, friends, because it’s one hell of an awesome ride and who knows when they’ll be back around for another spin.
Listen to “Chopper” from Dysfunctional Majesty!
Buy Dysfunctional Majesty from Small Stone!
Posted by Jeff on Aug 30 2010 in Reviews
Tags: AC/DC, Alabama Thunderpussy, bad-ass, battle, Beggar's Ball, biker, blood, blues, bubbling, chopper, Clutch, cosmic, denim, Devil Child Blues, Dixie Witch, doom, dope n' roll, Dysfunctional Majesty, flame, groove, gruesome, heavy duty, interstellar, lunar, machine, macho, mean, Metal, overlord, Red Giant, Silver Shirley, sledgehammer, sleep, Small Stone, space, These Satisfactions are Permanent, thick-chested, Ultra-Magnetic Glowing Sound, Wino