Imperial State Electric
Imperial State Electric
Psychout Records
It seems like all I’ve been bragging about lately is how Nicke Andersson is back and that the most exciting thing in rock n’ roll these days is his new band, Imperial State Electric. Of course, it’s not so much a band as it is a nation of one, with Lord Royale ruling over every instrument, unless of course he’s feeling generous or lonely, in which case he invites some of his friends to the party, including Dregen (Backyard Babies), the dudes from The Datsuns, Robert Pehrsson (Death Breath, Thunder Express), Neil Leyton (Canuck super musician), Anders Lindstrom (aka Boba Fett of The Hellacopters), and others. I already told you about the 7″ single, That’s Where It’s At, and now it’s time to take a much anticipated run at the self-titled full-length, which is every bit as electric as it claims to be, a black and white shot of high-watt pop.
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Posted by Jeff on Jun 10 2010 in Reviews
Tags: 60s, A Holiday From My Vacation, Alice Cooper, Anders Lindstrom, Backyard Babies, bandstand, Beatlemania, Boba Fett, danger, dead babies, Death Breath, Dregen, electric, Generation, hand-claps, high-watt, hip and cool, I Got All Day Long, Imperial State Electric, narco-riffs, Neil Leyton, Nicke Andersson, pirate radio, pop, Psychout Records, reckless, redemption, Robert Pehrsson, rock n' roll, Royale, screams, shoe saleman, sonic, static, sugary, teenage, That's Where It's At, The Datsuns, The Hellacopters, The Hydromatics, The Solution, Throwing Stones, Thunder Express, Together in the Darkness
Avantasia
The Wicked Symphony
Nuclear Blast
Avantasia
Angel of Babylon
Nuclear Blast
No disrespect to Cathedral’s recent double album, The Guessing Game, but Avantasia’s monumental box set featuring two new albums, The Wicked Symphony and Angel of Babylon, is easily the most impressive release so far this year. When I say impressive, I am of course referring to the scope and magnitude of Avantasia’s symphonic power metal, which is at once audacious, indulgent, theatrical, and fantastical. We’re usually only presented with Avantasia’s larger-than-life heavy metal fairy tales one album at a time, but Tobias Sammet must be feeling awfully courageous these days, finishing off the last two parts of The Scarecrow Saga/The Wicked Trilogy (the first part being the 2008 album, The Scarecrow) in one fell swoop. But I suppose if anyone can pull it off, it’s Sammet and his cast of usual suspects, who have gathered once again to fill their roles in this epic and evil installment of Avantasia’s latest production(s).
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Posted by Jeff on Apr 12 2010 in Reviews
Tags: Alice Cooper, Alone I Remember, Angel of Babylon, angels, audacious, Avantasia, ballad, Blowing out the Flame, box set, Bruce Kulick, castles, Cathedral, concept, Crestfallen, Death is Just a Feeling, dragon, Dying for an Angel, Edguy, epic, Eric Singer, evil, fairy tale, fantasy, Gamma Ray, German, good, heavy metal, Helloween, Iced Earth, indulgent, Jorn Lande, Judas Priest, Kai Hansen, Kamelot, keys, KISS, Klaus Meine, maiden, Majestic, Masterplan, melodic, Michael Kiske, mystical, Nuclear Blast, pearl, Rohan, Rohirrim, Rudolph Schenker, Runaway Train, Russell Allen, Sascha Paeth, Scorpions, symphonic power metal, Symphony of Life, Symphony X, The Guessing Game, The Metal Opera, The Scarecrow, The Wicked Symphony, theatrical, Tin "Ripper" Owens, Tobias Sammet, woods