Barn Burner Bangers II: Scum of the Earth
Metal Blade
Montreal’s booze-filled, flannel warriors return with their highly anticipated sequel (highly anticipated by me, anyway), Bangers II: Scum of the Earth, and it’s every bit the stoner metal riff-fest its predecessor was. What’s more is, Barn Burner seem to have upped the aggressive ante this time around without sacrificing their sense of party-hard humor, meaning you still get songs with titles like “Dark Side of the Barn,” “Keg Stand and Deliver,” and “Skid Marks the Spot,” but they’re thrown at you heavier and faster than ever before (no doubt due to better production this time around). I ate Bangers up like a plate of of rock n’ roll stew, traces of its slick licks dribbling down my bearded chin, thanks to its deliciously fraternizing nature; an album for bros by bros. Bangers II does not fail in drawing the denim-head scum together again, but the frothy, cursed, thunder-chuck that is now their glorious glue is more raging battle than raging kegger, is more broad sword than clenched fist, and will surely separate allies from enemies. And that’s the beauty of the Barn Burner way — whether killer or thriller, you’re always left bloody and smiling with your friends at the end.
Black Pyramid Stormbringer EP
Hydro-Phonic Records
Black Pyramid’s 2009 self-titled full-length debut was nothing short of devastating, and I mean that in the best way possible, of course. It’s a festering slab of warmongering fuzz often compared to a maligned mix of Black Sabbath, Sleep, and High on Fire, and it’s as close as you’ll get to a modern day doom classic, if such a thing exists. Well, the Massachusetts trio is back (on their own after a few splits) with two new songs, side A’s “Stormbringer” (not a Deep Purple cover) and side B’s “Cloud of Unknowing,” and both remain true to Black Pyramid’s rotting character but offer some subtle twists that hint at an evolving metal sound; “Stormbringer,” for instance, rides into battle at a Sword-like tempo and contains a mid-song breakdown reminiscent of Metallica’s “Orion” or “The Call of Ktulu” while “Cloud of Unknowing” opens in a more haunting, melodic death fashion akin to Swallow the Sun before it converts to crushing. If you’re not into Black Pyramid yet, now is the time. Guitarist/vocalist Andy Beresky is quickly emerging as one of my favourite in the genre, and assuming they haven’t sold out, this 7″ has an amazing die-cut cover and is available in both a standard and deluxe edition.*
*I was lucky enough to snag one of the 100 deluxe editions before they sold out. It came with glow-in-the-dark vinyl and a CD containing six songs (the two from this EP, three from Black Pyramid’s 2007 demo, and the vinyl-only track, “Macedonia,” from the self-titled full-length). To the best of my knowledge, though, the standard edition is still available.
Check out a video of Black Pyramid performing “Stormbringer” live!
Red Giant have always been somewhat of an enigma. They disappear for years at a time and just when you think you’ve forgotten all about ‘em, they show up at your door one day, ten stories tall, clutching a sledgehammer in one hand and a cluster of planets in the other hand, a shit-eating grin like a chasm on their face. Then all of a sudden it’s like they never went anywhere at all, and the reason they’ve only put out two albums in the last eleven years (1999′s Ultra-Magnetic Glowing Sound and 2004′s Devil Child Blues) is because they’re thick-chested overlords of the cosmic mean machine with some heavy duty responsibilities, like riding high atop choppers of flame into the heart of interstellar battle, forging lunar wars in the name of universal dominion. Only when they’ve defeated their space foes and captured the black skies above us do they settle down to tell tales of their conquests via macho, bubbling, dope n’ roll songs. Their latest episode, Dysfunctional Majesty, is another batch of bad-ass biker metal blues cut from blood-soaked denim and bathroom walls, which means it sounds like AC/DC, Alabama Thunderpussy, Beggar’s Ball, Dixie Witch, and any one of Wino’s bands all at once, in case you’re having trouble remembering. However, dig the Clutch-like groove on “These Satisfactions are Permanent” and the Sleep-like doom of “Silver Shirley” for some new twists on their gruesome, galactic sound. Hop on board this one, friends, because it’s one hell of an awesome ride and who knows when they’ll be back around for another spin.
Barn Burner
Black Pyramid
Red Giant