Holy Grail
Crisis in Utopia
Prosthetic Records
Much of the attention leading up to Holy Grail’s debut release, Crisis in Utopia, has been less about their raised-horn, power metal throwback and more about their feud (if you want to call it that) with same-veined retro hair rockers, White Wizzard, whose bass player — and sole original member — Jon Leon has found fault with ex-WW members now in Holy Grail, claiming they’re using their brief time in WW to garner publicity for their new band. I’m just gonna go ahead and check that one off in the who-gives-a-fuck column and rock out with my cock out, because when it comes to militant riffing, bullet belt scaling, and vocal sorcery, Holy Grail are piloting a whole fleet of kamikaze TIE Kai fighters straight into the black and leathery heart of their Creator Kreator with gauntlets held high. Yeah, okay, metal wordplay aside, there’s a whole rash of recycled thrash to sort through nowadays, and sometimes you’re best served to just throw on some Angel Witch and go about your day, but Holy Grail do manage to elevate their slay n’ play at times by incorporating fistfuls of sleazy, shout-along devilry (“Call of Valhalla”) and folksy, Blind Guardian-inspired mysticism (“Nocturne in D Minor” and “Hollow Ground”) into their familiar-sounding arsenal. I really think we should start calling this stuff the NWONWOBHM.
Listen to “Call of Valhalla” from Crisis in Utopia!
Posted by Jeff on Nov 24 2010 in Reviews
Tags: Angel Witch, arena, black, Blind Guardian, bullet belt, Call of Valhalla, Crisis in Utopia, devilry, folk, gauntlet, hair, Hollow Ground, Holy Grail, Jon Leon, Kai, Kreator, leather, militant, mysticism, Nocturne in D Minor, NWOBHM, power metal, Prosthetic Records, retro, riff, slay, sleazy, sorcery, thrash, throwback, White Wizzard

Black Sleep of Kali