Toxic Holocaust
Conjure and Command
Relapse
Metal fans are so particular that Toxic Holocaust’s seemingly innocuous change in logo and cover art (opting for black and white this time around instead of the usual radioactive neon of covers past) nearly started a rash of hangings by bullet belt across the whole of the thrash world, an overreaction not experienced since Metallica took a trip to the barber shop (although something has to explain the music that followed, I suppose). Add to that the fact that Mr. Toxic Holocaust himself, Joel Grind, brought a full band into the studio to help pull off what he usually does alone, and you can pretty much taste the vile panic. But one spin ’round the ol’ graveyard gravel pit and it’s abundantly clear that Toxic Holocaust are as evil and furious as ever before, so I’d urge anyone with any doubts as to Conjure and Command‘s integrity and legitimacy to take their skullets out of the noose, crush a million fucking beer, and mosh their neurotic aggression into oblivion. Every one of the 10 songs here drip with toxicity and disease, a battery of riffs as sharp as wolves’ teeth, and will send you straight into Hell, all clenched fists and burning eyes, on a mission to desecrate the underworld. And don’t worry if you’ve got an old logo patch on your denim jacket when you do, that will just earn you extra desecration cred with the souls of the damned .
Listen to “Bitch” from Conjure and Command!
Posted by Jeff on Jul 21 2011 in Reviews
Tags: aggression, battery, beer, bitch, bullet belt, burning, Conjure and Command, damned, denim, desecrate, disease, evil, fists, furious, gravel pit, graveyard, hell, Joel Grind, Metal, Metallica, mosh, neurotic, noose, Oblivion, panic, radioactive, Relapse, riffs, skullet, souls, teeth, thrash, Toxic Holocaust, toxicity, underworld, vile, wolves
3 Inches of Blood
Anthems for the Victorious EP
Century Media
When 3 Inches of Blood released Here Waits Thy Doom in in 2009, their first album without growler Jamie Hooper, I was excited to hear what the band could do with falsetto master — and beard champion — Cam Pipes alone at the helm. Unfortunately, I was disappointed with the effort, and the album became a self-fulfilling prophecy of sorts. Whatever soul (if you can have such a thing in heavy metal) the band had left with Hooper, apparently, which wasn’t what the Vancouver headbangers needed after guitarists Sunny Dhak and Bob Froese took their amazing riff-wielding power with them to Pride Tiger after 3IoB put out what stands as one of my favourite metal albums of all time, 2004′s Advance and Vanquish. However, I’m still a huge fan, and when I caught them live a few months back it was the inclusion of this EP’s two songs, “Lords of Change” and “Strength of the Grave,” into their set list that roused me from my drunken stupor. It sounded to me, at that time, that 3IoB had re-captured that battle cry of yore, that snappy, traditional thrash, that blood-spilling, leather n’ spikes mayhem that made me fall in love with ‘em in the first place. Now, listening to this EP, there’s no doubt that 3IoB have mounted the red-eyed steed once again as they gallop through both songs at a furiously purposeful pace, slaying thine enemies where they stand before soaring through the sing-along choruses with swords held high. But the victory is short-lived, the anthems spoiled by a hollow, St. Anger-like production, which, given the apparent return to form, doesn’t make much sense at all. That being said, I’m excited about the next full-length, especially if these songs are any indication about where the band is going next. Hell, it’s even nice to see a sweet cover again, one that hearkens back to Edward Repka’s Advance and Vanquish genius.
Listen to “Strength of the Grave” from Anthems for the Victorious!
Posted by Jeff on Jul 13 2011 in Reviews
Tags: 3 Inches of Blood, Advance and Vanquish, battle cry, beard, blood, Bob Froese, Cam Pipes, Canada, champion, Edward Repka, enemies, falsetto, furious, gallop, growler, headbangers, heavy metal, Here Waits Thy Doom, Jamie Hooper, leather, Lords of Change, master, mayhem, Power, Pride Tiger, riff, slaying, snappy, soaring, spikes, spilling, St. Anger, steed, Strength of the Grave, Sunny Dhak, swords, thrash, traditional, Vancouver, yore
Black Sleep of Kali
Our Slow Decay
Small Stone
Debut album from Denver’s Black Sleep of Kali, which, despite its name, is a furious force of sludge metal devilry that’s more whack-a-mole doom than it is a slumbering death crawl. And it’s no easy feat keeping up that kind of eternal energy with an average run time of six minutes for the eight songs laid down here, but I suppose anything is possible when you’re drawing your annihilation inspiration from a dark and violent goddess. Right, so it all rolls heavily along like an avalanche of Baroness worship, but the sonic assault of Our Slow decay isn’t without its groovy riffs, hardcore fluctuations, and punk metal aesthetics either, which makes for a fairly dynamic, anarchic listen that will not only knock your walls down but will piss on your rug, too. Definitely a big-balled gut bucket of bubbling black action, this one.
Listen to “The Crow and The Snake” from Our Slow Decay!
Buy Black Sleep of Kali’s Our Slow Decay from Small Stone!
Posted by Jeff on Jul 22 2010 in Reviews
Tags: action, anarchic, annihilation, assault, avalanche, Baroness, big-balled, Black Sleep of Kali, bubbling, crawl, dark, death, Denver, devilry, doom, dynamic, energy, eternal, force, furious, goddess, groovy, gut bucket, hardcore, heavy, Metal, Our Slow Decay, Punk, riff, sludge, slumbering, Small Stone, sonic, The Crow and the Snake, violent