Blood Ceremony
Living With the Ancients
Rise Above
It’s been three years since Toronto’s Blood Ceremony drew us into their sect of satyrs with their self-titled debut, binding us to dungeon walls until such a time our sacrifice was desired, and it seems that moment has indeed arrived. Sorcerers of retro ritual rock, Blood Ceremony lay down doom-powered riffs over top hellfire organ, but their weapon of choice is the dark mistress Alia O’Brien, whose mastery of voice and flute are the spells that bind and hypnotize. Like its predecessor, Living With the Ancients is a bone-carved chalice overflowing with the fog of a pagan prog potion, and where one ends with a hymn to Pan the other begins with another such ode to the great half-man, half-goat God, thus continuing the sacred bloodline of influence and imagery that courses through all they do. You’ll also find demons, witches, hermits, magicians, ancient Roman priests, and W. Somerset Maugham’s caricature of Aleister Crowley at this monster’s ball, a medieval European masquerade not unlike the pentagram parties thrown by The Devil’s Blood, Ghost, Year of the Goat, Witchcraft, and so on. So, go ahead, offer yourself up to Blood Ceremony’s wicked ways. You’ll be glad you did.
Listen to “My Demon Brother” from Living With the Ancients!
Posted by Jeff on Sep 3 2011 in Reviews
Tags: Aleister Crowley, Alia O'Brien, ancient, Blood Ceremony, bloodline, bone, carved, chalice, dark, demons, doom, dungeon, European, flute, ghost, goat, God, hellfire, hermits, hymn, hypnotize, Living With the Ancients, magicians, masquerade, medieval, mistress, monster, organ, pagan, Pan, pentagram, potion, priests, prog, retro, Rise Above, ritual, Rock, Roman, sacred, sacrifice, satyrs, sect, sorcerers, spells, The Devil's Blood, Toronto, W. Somerset Maugham, wicked, Witchcraft, witches, Year of the Goat

Despite the fact that he probably spent most of the year sportin’ an old-timey mustache, I’m giving beard of the year to 

