Black Pyramid
Black Pyramid II
Meteorcity

Although it’s been kicking around for awhile now, Black Pyramid’s second full-length isn’t slated for an official release until the end of January, but I didn’t even think there was going to be a II given some of the band’s cryptic postings about their demise. Truth be told, I thought they were done, and I still don’t know what the real story is, but lo and behold the band lives, and it just turns out that singer/guitarist Andy Beresky is out, having been replaced by Darryl Shepard of Milligram, Hackman, and Blackwolfgoat fame. However, II‘s hollow steamroller is driven by the original line-up, so consider this your final chance to hear Beresky lead Black Pyramid’s doom machine right into the Earth’s crust and dust. Which is exactly what he does, as Black Pyramid’s signature, banner-flying, fuzzy charge storms the gates of Hades heads down and helmets first. Black Pyramid have always found a home in the fire, and II is certainly no exception; in fact, they appropriate it so damn well that they’ve grown confident enough to spread their blazing wings and fly uncommon patterns, especially on the folksy “Tanelorn” and the album’s two epics, “Dreams of the Dead” and “Into the Dawn.” While “Endless Agony,” “Mercy’s Bane,” “Night Queen,” “Sons of Chaos,” and “The Hidden Kingdom” deliver the familiar Sleep-on-speed thunder we’ve come to expect from Black Pyramid, the band does add a bunch of energized riffs, nasty solos, and tempered breakdowns into the mix, making this effort ambitious and quite successful. There sure is a shit ton of heavy coming out of Massachusetts these days, and only time will tell if Black Pyramid will continue to play a giant part in that with Shepard at the helm (there’s no reason to think they won’t). And what of Beresky? He’s too good to stay down for long, you can count on that.

Listen to “Mercy’s Bane” from Black Pyramid II!

Untimely Demise
City of Steel
Sonic Unyon Metal

City of Steel, the full-length debut from Saskatoon thrashers Untimely Demise, was self-released by the band last year, but has been given a killer re-release courtesy of Sonic Unyon Metal, so let’s pretend this dynamite piece of soul fucking metal is new and bask in its ripping glory like whores presenting themselves at the Goat’s altar, shall we? Untimely Demise’s complex, brutal, and demonizing approach to slashing your gut and watching your innards drop out into the snow is made all the more vile by Matt Cuthbertson’s venomous snarl, a foamy gush of putrid vocals that couldn’t sound more perfect if they were puking out of the festering mouth of a zombie German drill sergeant. Add to that an insane — and by that I mean plenty and crazy — amount of tempo destruction, bat shit solos, and melodic hooks, and City of Steel becomes seven tracks of heavy metal mastery that ought to be universally regarded by fans of Kreator, Death, et al. (hell, Children of Bodom fans take note of the title track’s chorus) as pure evil, speed dealin’ pandemonium. Most everyone will hate you for playing this, which is exactly why it rules so damn hard, and why you should play it loud all the time.

Listen to “Virtue in Death” from City of Steel!

Midnight
Satanic Royalty
Hells Headbangers

After almost ten years of releasing only splits and EPs — and not really wanting to become a real band at all –  Cleveland’s cult metal band Midnight have finally succumbed to a full-length job, and it’s the genuine article, man. Led by Athenar, the same freak responsible for the brew-fueled madness that was Boulder, Midnight don executioner hoods, worship flame and steel, and rip through ten songs (eleven if you have the vinyl) of black metal thrash so absurdly good you’ll be reawakening neck muscles that have been retired since the early 80s. It’s clear that Midnight’s mission is annihilation, which they deliver to you, like a shitty 2 AM pizza, in thirty minutes or less, and despite the fact that Satanic Royalty is dripping with Venom inspired evil violence, its really powered by a degenerate biker rawk Athenar has no doubt borrowed from his Boulder days. Thus, every song, especially “You Can’t Stop Steel,” “Lust, Filth and Sleaze,” and “Shock ’til Blood,” sound like Cronos leading Motörhead on a black-winged ride outta hell and straight up your ass. Anyone who has stuck by Midnight over the years waiting for this day to come can go ahead and raise their gauntlets high. As for the uninitiated, prepare to be outright dominated by pure metal riff-itude.

Listen to “Lust, Filth and Sleaze” from Satanic Royalty!