Black Wizard Mountain Bitch b/w Jesus 7″
Evergreen Records
It’s not enough anymore to say that Black Wizard are emerging as one of my favourite Canadian bands because that’s an unfair limitation for such a colossal stink of a stoner rock band. The patterns of abject abhorrence displayed by these dirty pastors of pot make ‘em young leaders of wrong morals; the fervor of their foggy franchise gets its momentum from wonderfully sketchy influences, and the wheel is really starting to roll. A hefty sum of hyperbole, sure, but Black Wizard is, flat out, the million dollar beast you want to keep secret lest everyone get hip to its bankable savagery. Truth be told, though, I’m not sure how long the chains would hold. If I was smart, I’d start a label right now and put everything I had into ‘em. Last year’s self-released, self-titled debut was full of raw, thick-necked goodness, and really got me excited about what was to come. Well, as good as their debut was, this here seven inch is better. Its two songs, “Mountain Bitch” and its backside “Jesus,” are huge statements; heavy, high-flyin’ slabs of mature (gasp!) psych-doom that prove the band have found a retro-fuzz sound worth exploring and elevating. Now all that’s left for these dudes to do is ruin the freedom and reap the benefits that come with breaking out. Shouldn’t be long now.
First, I want to apologize for the lack of posts lately. The laptop has been suffering some major issues and so I’ve been without a full-time computer for about a week now, but a new one has been procured, so we should be getting back on track here real soon. I’ve got plenty of new stuff to throw your way. Anyway, I manged to watch some movies during all that non-computer time, so here you go…
Frozen
The idea behind Frozen, the 2010 horror movie about three skiers stuck on a chair lift high above a mountain side, kind of reminds me of the old Mitch Hedberg joke about the above-ground swimming pool commercial, and how it can only be 30 seconds long because that’s the most amount of time you can depict having fun in an above-ground swimming pool. I didn’t think it would be possible to squeeze a whole movie’s worth of scares out of such an above-ground premise (and it wasn’t, really), but Frozen does manage to push your anxiety meter well into the red simply because it thrives on a totally reasonable, palpable fear. That being said, it’s not hard to predict what lies ahead for our stranded skiers (i.e. finding a way down, frostbite, etc.), who don’t seem to be taking their survival very seriously (do up your coat, idiot!), and you have to be able to handle the kind of dialogue that evolves from a stranded situation, such as blaming, arguing, crying, and reminiscing. However, the circling, hungry wolves were an excellent touch.
You should see it around here, man. It’s all exploding hearts and raging boners and hot sparks, which kind of sounds like a sweaty Saturday night at the steel mill, but really it’s just me on cloud nine in the rock n’ roll sky that opened up above me the second I dropped the needle on this glorious slab of coke bottle clear wax. A new C’mon record can, without much effort at all, make your entire life worth living, so the fact that it’s been three years since their last full-length, Bottled Lightning of an All Time High, means we’ve been comatose for quite awhile now. But here comes our heroic power trio, Sir Ian Blurton, Katie Lynn Campbell, and Dean Dallas Bentley, riding in on this pale horse to save the fucking day, to shock us back into coherence with their brilliantly boss fuzz n’ roll. Beyond the Pale Horse, then, is like a shot of adrenaline right into your balls, like most C’mon albums are, naturally, and like previous albums, its beauty lies in its beastly nature, its ability to shift and deviate while still remaining furiously savage. The play this time is that the electric noise is saturated in dreamy effects, and C’mon mixes some foggy, psychedelic magic in amongst their usual motor-driven madness. Dig the catchy title track and the majestically groovy – and unusually long – “Fortress of the Night” for the freakiest examples. But for sheer riffola, “Midnite is the Answer,” with its stoner crunch, is the one that pumps my blood. C’mon prove, once again, that they are almighty and untouchable.
*That’s not the record I own, but it looks just like it. Courtesy of whomever took the pic. It might’ve been Tony.
Ok, I don’t have an mp3 from the album to share (I just got it in the mail), so go buy the album from Yeah Right! to hear it for yourself. In the meantime, enjoy an older C’mon video of them washing their van and kicking it live!