Spiders – Spiders 10″ EP

Spiders
Spiders 10″ EP
Crusher Records

Spiders are a neat little rock n’ roll outfit hailing from Gothenburg, Sweden, featuring John Hoyles of Witchcraft and Axel Sjöberg of Graveyard (although at the time of this review he’s no longer in the band), but starring the foxy Ann-Sofie Hoyles as lead scream Queen, and I’ve waited on writing about them because it seems every time I sit down to do so they put out another single. Indeed, it all started back in January when Spiders released this here four-song EP on regular vinyl and picture disc, and given the aforementioned members penchant for the retro sound, this one definitely stinks of drugs and fuzz, but it also takes on much more of a sonic sexiness, no doubt due to Ann-Sofie’s tempting wiles. You might think a band like Spiders would come off sounding like Blood Ceremony or The Devil’s Blood given the dynamics, but they’re more dirty denim and sweaty leather than black robes and incense, and fall in line with the likes of the American electric dealers of the 60s and 70s, like Fred “Sonic” Smith jamming with Grace Slick. Spiders are a don’t-drink-what’s-in-the-red-cup kind of party, a backseat education for dark minds and idle hands. Anyway, Spiders then took this four-song EP and cut it in half, releasing two separate 7″ singles in the US in March, High Society b/w Gracious Man (Kemado Records) and Nothing Like You b/w Long Gone (Valley King Records). If that wasn’t enough, they then released another 7″ single in August on De:Nihil Records, featuring the brand new song “Fraction” and a cover of Alice Cooper’s “Under My Wheels.” We can now only hope a full-length is on its way. In the meantime, I’m gonna go drink what’s in the red cup and rock the fuck out.

I know this song isn’t on the self-titled EP, but videos are fun, so check out the video for “Fraction”!

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Posted by Jeff on Nov 5 2011 in Reviews

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New Mind Spiders

Mind Spiders
Mind Spiders

Dirtnap Records

Mark Ryan, singer/guitarist for Texas punk band The Marked Men, has given his lone star cronies another reason to celebrate and collaborate, courtesy of his new solo project, Mind Spiders. While the band’s live incarnation brings together friends from The Marked Men, High Tension Wires (made up of Marked Men, Reds, and Riverboat Gamblers), Bad Sports, and Uptown Bums, the recording is all Ryan, who four-tracks his way through twelve lo-fi pop creations that blink and scream like the main attraction at the carnival of fuzz. As a whole, Mind Spiders feels a hell of a lot like a 60s garage rock record, candy-coated in electric spazz and shake, but Ryan is able to riff on this blueprint on a song-by-song basis, coaxing a range of styles out of the inherent raw energy throughout; “Go!,” “Don’t Let Her Go,” and “No Romance” showcase his punk roots (“Go! was supposed to be on The Marked Men’s last LP but was left off), “Read Your Mind” and “Slippin’ and Slidin’” contain a country n’ soul vibe, while “Your Soul,” “Neurotic Gold,” and “Close the Door” end the album on an indie new wave note. Mind Spiders is eclectic, catchy, and earmarked for sound.

Listen to “No Romance” from Mind Spiders!

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Posted by Jeff on Jan 24 2011 in Reviews

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New Crown

The Crown
Doomsday King

Century Media

The Crown have returned. After a six year absence, the Swedish death metal band has a new singer (Jonas Stålhammar of God Macabre) and a new album, the colossally brutal statement, Doomsday King. That statement, as best as I can make it, is a steadfast one, a waving, tattered black banner under which a united front of undead, steel-helmeted militia stand tall and hungry, whose demise was nothing more than a self-imposed exile from which they could choose to rise at any time. Well, the time is now; the front-line swells, sharpened scythes are held high, the victor’s spoils waiting to be plucked from the night sky amidst flying blood and angel’s screams. Perhaps driven by the desire to erase their absence from our collective conscious all together, the resurrected Crown strike with obvious purpose, unleashing a relentless slaughter of death thrash that sounds ultimately more sinister than anything they’ve done before. It isn’t, of course. It just sounds that way because it’s been so long, but there does seem to be a slight shift away from the motor-driven death n’ roll of previous albums, probably because they’ve turned off the long highway through Hades and now it’s time to kill…and eat like kings.

Listen to “Age of Iron” from Doomsday King!

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Posted by Jeff on Oct 4 2010 in Reviews

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