Soundgarden is touring again, Kyuss Lives (literally), and I’ve heard rumors of a new Screaming Trees album, so I suppose it shouldn’t surprise me that Urge Overkill has returned with Rock & Roll Submarine, their first album in 16 years. This is rock n’ roll, after all, and anything is possible, especially when you’re dealing with legendary lounge lizards Nash Kato and Eddie “King” Roeser. I have to think the ironic duo’s leisure suits fit a bit more snug this time around, but the Windy City wish-masters, whose glitter-pop alt-rock lit up the early 90s like a strip bar sign, have dusted off the medallions and move comfortably enough around well-constructed hooks on songs like “Effigy,” “Thought Balloon,” and the title track to convince you that they’ve captured that cosmic clairvoyance once again. But, unfortunately, there are some things time does change, and while Rock & Roll Submarine is pleasantly passable for a comeback album, it lacks a certain amount of chutzpah, really, which means it won’t knock you out like a lethal cocktail of supersonic cool and saturated bliss, which is something Urge Overkill used to do with incredible ease.
Isobel Campbell & Mark Lanegan Hawk
Vanguard Records
Yeah, okay, so the folksy, sultry tunes of Isobel Campbell and Mark Lanegan don’t exactly fall in with the rank and file of doom, metal, and stoner rock that you usually find around here, but the fact of the matter is — if you don’t know this already — Lanegan is a bad-ass, whiskey-voiced deity in the Broken Beard universe. The guy could put out a polka record and I’d still tell you about it because everything he touches (Screaming Trees, The Gutter Twins, Soulsavers, etc.) turns to pure grit, which is what makes his collaborations with Isobel Campbell so great. She, former member of indie pop band Belle & Sebastian, is innocence incarnate, the Scottish girl-next-door with the porcelain voice, and he is the brooding American desperado at the end of the bar. Put ‘em together and you get an old suitcase full of black and white photographs, tear-stained love letters, faded memories, long distance calls from a phone booth in the middle of nowhere, and wordless nights on a porch swing. Hawk, their third album together, is a whole barn full o’ jukebox flare, rustling up a roving range of country-folk, blues, soul, gospel, and Americana, calling to mind the eras and auras of Cash and Carter, Dylan and Baez. Campell’s songwriting on Hawk is utterly moving, playing emotion better than any instrument on the album, and is at once light, languid, deep, and desolate. To help the mood along, the album also offers a few Townes Van Zandt covers and a couple of appearances by Willy Mason. But, as always, this is the Campbell and Lanegan show, which continues to be the strangest, most beautiful show on earth.
Check out the video for “You Won’t Le Me Down Again” from Hawk!
Urge Overkill
Isobel Campbell & Mark Lanegan