Zodiac Mindwarp & The Love Reaction We Are Volsung
SPV/Steamhammer
Dripping with pure gonzo rock action, Zodiac Mindwarp & The Love Reaction have endured decades of decadence, befouling the sex, drugs, and rock n’ roll idiom with a more dangerous brand of sex, far deadlier drugs, and a nastier, sleazier style of rock n’ roll. Led by the tattooed beat messiah himself, Mark Manning, artist, wordsmith, and debauched raconteur, and guitarist Cobalt Stargazer, the Duffy to Manning’s Astbury, Zodiac Mindwarp & The Love Reaction have earned a cult following by pushing a larger than life libido up the tailpipe of any teenage runaway (girl or boy…they don’t discriminate) hungry for a backseat education. We Are Volsung then, the band’s sixth full-length, is every bit the riff riot you’ve come to expect from these vaudeville villains, liquor-drenched, leather-chapped viking rock, hard charging and chest thumping, with more of a nod to Norse mythology than back alley hi-jinx. Man, with classic, unbeatable songs like the title track, “Stark Von Oben,” “We Ride,” and “White Trash,” as well as the mean-boned rattlesnake slide of “Kill A Mockingbird,” who cares if Turbonegro ever gets their shit sorted out. And if you’re worried that Manning and Stargazer might be getting long in the tooth, don’t, because they continue to surround themselves with young destroyers with names like Jack Shitt and The Cat, and they can still sink each one of their pearly switchblades deep into your flesh and make you love every minute of it.
We’re gonna try something a little different. I’ve been watching a bunch of movies lately, but haven’t found the time to write about them individually. So, instead of giving them the usual treatment, I’m gonna go ahead and shove ‘em all into this one post, lighting round style. The reviews will be much shorter and won’t provide as much plot detail, but will provide the same toothsome repartee, so I’m hoping they work all the same. Who knows, maybe I’ll really like doing it this way. Anyway, bring on the bad fun!
Mother
A Korean film from the same dude responsible for The Host about an eccentric and neurotic mother of a mentally challenged boy who she believes has been framed for murder. A young school girl has been killed and all evidence points toward the kid, so the police pick him up and the case is closed. The mother, however, is adamant about her son’s innocence and sets out to prove it. Hye-ja Kim (as the mother) is really awesome, and aside from being a suspenseful whodunit, it’s also pretty damn funny, which is a difficult combo to pull off. Recommended, but only if you can handle over two hours of sub-titles.
This piece of shit movie is supposed to be about disenfranchised teens, the bonds of friendship, and sexual curiosity, blah blah, but I think it’s just an hour and a half of poorly acted, terribly scripted, rape. Or necrophilia, depending on how you want to look at it. First, I couldn’t get past the 20-something actors that are suppose to be high school kids. It didn’t work on 90210 and it’s not working here. Second, given the averages laid out by this film, 100% of men — sorry, boys — who come across a bound and dead (or near dead) body of a woman aren’t going to try and help her, but are going to fuck her repeatedly. If only the girls at school would just spread their legs, then these guys wouldn’t have to fuck a living corpse, huh? I guess that’s another point this movie is trying to make, so pay attention ladies. And about this dead girl? Well, she’s not really dead in so much as she can’t die. Don’t even bother asking why or how she got that way because that kind of detail isn’t important. The important thing is, she’s naked and not really willing.