Gideon Smith and The Dixie Damned
30 Weight
Small Stone

With one of the most recognizable voices in all of heavy music, the swamp wizard himself, Gideon Smith, returns to howl at the moon with 30 Weight, another album of psychedelic motorcycle blues that has me (and no doubt others of my ilk who have also previously written about The Dixie Damned’s Southern boogie doom) tripping over myself trying to come up with a fresh way to sell the North Carolina band’s super-charmed snake oil. Just like previous full-lengths, 2004′s Southern Gentlemen and 2008′s South Side of the Moon, 30 Weight mixes the spiritual fire-eating of The Cult and the steely-eyed machismo of Circus of Power (see, I’m doing it already) for a deadly concoction of outlaw riffs and acid groove where songs like “Feel Alive” and “Shining Star” are this album’s “Whiskey Devil” and “Shimmering Rain,” respectively. That would also make the song “South” quite self-explanatory, as well. However, Gideon manages to add a few new ingredients to his brew this time around, like a female back-up singer on “Ride With Me” and a couple of covers, including a slow cooked version of Saint Vitus’ “I Bleed Black” and G.G. Allin’s “When I Die,” a poignantly raw country and western song in which Gideon strips it all down, even his voice. While GS&TDD fans will find a familiar comfort in 30 Weight‘s cattle skull savagery, the inexperienced can start here and work their way back down the dusty highway the band has forged without feeling like they’ve arrived late to the midnight ritual dance.

Listen to “Black Fire” from 30 Weight!

Seven Sisters of Sleep
Seven Sisters of Sleep
A389 Records/Southern Lord

Belly-squelching full-length debut from California’s Seven Sisters of Sleep, who have one of those amazing band names that offer a dark promise, and in this case that dark promise is a hellish renaissance of doom and gloom. Sure enough, these Sisters deliver, conjuring up a hardcore sludge that contains all the Gothic madness of an Albrecht Dürer woodcutting come to life through walls of black fuzz. Now, the eight songs here only run for about 20 minutes, which ain’t really your conventional method for dispensing doom metal, but then again, this doom metal just happens to be wrapped in a cloak of aggression, so it makes sense. In as much, Seven Sisters of Sleep strikes a chaotic balance; the majority of the riffs toe the brutal line, rolling slow and deadly, while the beat and vocals run rabidly ahead and sniff out the corpses. In some cases (“Tide is Rising,” CCEC,” and “Swamp”) it’s all grind and gnash, the hunting party descending upon you without hesitation, ruining your life.

Listen to “Monasteries” from Seven Sisters of Sleep!

Suplecs
Mad Oak Redoux
Small Stone

After having spent the better part of the last fourteen years putting albums out on Man’s Ruin and Nocturnal Records, New Orleans’ Suplecs have been picked up by Small Stone for the release of Mad Oak Redoux, a grumbling, boozy stoner rock record with its most notable highlights including post-Katrina aggression (a loose lyrical theme throughout, but most evident on “Fema Man”) and a casually heavy sound that runs the gamut from Southern swamp n’ roll (“In Your Shadow”) to grungy alt-rock (“Once Again” and “Worlds on Fire”) to down-home doom (“Switchblade”). Listen, the riffs on Mad Oak Redoux aren’t gonna overwhelm you, but their fighting spirit, when combined with a shot of something hard, ought to at least comfort you at the end of a long, hot working day.

Listen to “In Your Shadow” from Mad Oak Redoux!